The apocalyptic image of a drilling platform, its monstrous framework engulfed in flames, a black curtain of smoke, surrounded by an irrationally placid sky and water, burns onto the screen in the middle of The Great Invisible in an awesome visualization of the film’s thematic axis. The oil spill that took place on April 20, 2010 in the Gulf of Mexico is considered the biggest environmental disaster in American history. Documentary filmmaker Margaret Brown endeavors to depict the event from many points of view. She interviews platform employees and their families still dealing with physical and psychological ailments. She visits cities whose environment and economies suffered extensively and she ganders at BP, the petrochemical giant that owned the feral platform. It all combines to produce an image of a country in crisis and a civilization so hooked on oil it has poison running through its veins.
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SXSW FF 2014 – Grand Jury Award
She is a native of Alabama who often deals with Southern culture and issues in her work. Her debut, Be Here to Love Me: A Film About Townes Van Zandt, is about the legendary Texan musician. Her second film, The Order of Myths, devoted to Mardi Gras celebrations in Mobile, Alabama, received the Truer Than Fiction Award at the Independent Spirit Awards. The Great Invisible, which received the Grand Jury Award at SXSW, is about the oil spill that touched countless residents of the Gulf Coast.
1998 99 Threadwaxing (short)
2004 Be Here to Love Me: A Film About Townes Van Zandt (doc.)
2008 Order of Myths (doc.)
2011 The Forest (short)
2014 Niewidzialna katastrofa / The Great Invisible (doc.)