A television personality, a communist librarian who lost her job because of her convictions, a rebellious intellectual, a mother, a wife (twice), or a prolific archivist—who was Marion Stokes? Was she a pathological hoarder or a prophetic researcher trying to understand the nature of the media? The subject of Matt Wolf’s documentary recorded and archived news programs from American television stations from the time of the Iranian Revolution in 1979 until the end of her life. Following her death in 2012, a vast archive was found documenting almost 30 years of world history, as well as the transformation of the medium. Her collection included recordings from the Cold War, racial violence on the part of the American police, and Sinéad O'Connor tearing up a photo of the Pope in protest against pedophilia in the Church. Just as interesting as Stokes’ collection was her life–the subject of Recorder: The Marion Stokes Project—a life that reflects the turbulent history of the United States from racial segregation to Obama’s election as president.
Born in California in 1982, Matt Wolf is a director and producer who lives in New York; he is also a past winner of a Guggenheim Fellowship. He is already known for his short films, including It’s Me, Hilary: The Man Who Drew Eloise, which was made for HBO, as well as the full-length Wild Combination: A Portrait of Arthur Russell, about the avant-garde musician who died of AIDS, and Teenage, which focuses on teen culture. His latest documentary, Recorder: The Marion Stokes Project, was shown at the most recent edition of Tribeca Festival in New York.
2008 Wild Combination (doc.)
2013 Teenage – skąd się wzięły nastolatki / Teenage (doc.)
2015 To ja, Hilary, który rysował Eloise / It’s Me, Hilary (short)
2017 Bayar & Me (short)
2019 Zapis: Projekt Marion Stokes / Recorder: The Marion Stokes Project (doc.)