You can't go wrong here, Francis Ford Coppola repeats this mantra as he prepares to shoot Megalopolis, the film he calls the culmination of his life’s work. What he means is that, approaching his 90th birthday, the legendary director is more open than ever to experimentation, to bold choices, to unexpected ideas from his cast and crew. And indeed, anyone who has seen his latest film knows just how much the Apocalypse Now auteur values creative risk. That risk goes hand in hand with monumental ambition — and it’s this combination that most fascinates British filmmaker Mike Figgis, who was invited onto the set of Megalopolis to document Coppola’s process. Speaking with cast members (including Aubrey Plaza and Shia LaBeouf), fellow directors (George Lucas), producers, Coppola’s family, and the man himself, Figgis crafts a layered portrait of an uncompromising visionary — and, perhaps more importantly, of someone who can inspire others to believe in that vision too. Premiering at this year’s Venice Film Festival, Megadoc is both an intimate look behind the scenes and a passionate defense of auteur cinema: filmmaking that defies studio formulas and streaming giants, that dares to be difficult, imperfect, and visionary — and that pushes the language and envelope of cinema forward.
Mike Figgis is an English director, screenwriter, and composer. His film Internal Affairs, starring Richard Gere and Andy García, was named one of the Best Movies of the 21st Century by The New York Times. He later received two Academy Award nominations — for Best Director and Best Adapted Screenplay — for Leaving Las Vegas, starring Nicolas Cage and Elisabeth Shue. He is also a co-founder of Shooting People, a networking platform for American independent filmmakers.
1990 Sprawy wewnętrzne / Internal Affairs
1994 Wersja Browninga / The Browning Version
1995 Zostawić Las Vegas / Leaving Las Vegas
1998 Burzliwy poniedziałek / Stormy Monday
2003 Cold Creek Manor
2012 Suspension of Disbelief
2018 Romans / The Affair (serial)
2025 Megadoc