Godard’s full feature debut was his commercially most successful film. It elevated his name to the international scene and has allowed him to approach cinema in the way he wanted. Thanks to this film Godard has become the most famous auteur in world cinema.
Like many films mady by young filmmakers of that times, it was produced quickly and with little money, though not as cheaply as legend says. Financial and time limits made an impact on the shape of the film, especially its dynamism and ‘roughness’. However, more important in creating this effect was Godard’s conscious effort. The plot of the film is simple: a typical gangster story. A petty gangster, Michel Poiccard, who fashions himself on Humphrey Bogart, is travelling from Marseille to Paris to pick up money owed to him by his partner. He also wants to persuade an American student named Patricia he had met earlier, to go to Milan with him. She does not agree to join him and reports Michael to the police. In this film Godard broke the codes of continuity, which was adhered to by professional film editors at this time. He also humorously mirrored existentialist ennui which characterized the 1950s.
Director, producer, actor, critic, and film theorist, regarded as the most outstanding creator of the French New Wave and world cinema as a whole. He collaborated with Cahiers du cinéma, the legendary film criticism magazine. His debut Breathless (1960) transformed world cinema, and his subsequent works—politically engaged and formally complex—cemented his status as one of the most important innovators in film history. Constantly experimenting, he moved from narrative cinema to the film essay. Author of Histoire(s) du cinéma, a masterpiece intertwining reflections on art and the history of the 20th century.
1959 Do utraty tchu / À bout de souffle
1961 Kobieta jest kobietą / Une femme est une femme
1963 Pogarda / Le Mépris
1965 Alphaville / Alphaville, une étrange aventure de Lemmy Caution
1967 Weekend / Week-end
1968 Radosna wiedza / Le Gai savoir
1980 Ratuj się, kto może (życie) / Sauve qui peut (la vie)
1983 Imię Carmen / Prénom Carmen
1998 Historie kina / Histoire(s) du cinéma
2001 Pochwała miłości / Éloge de l’amour