The Parallax View
A young, ambitious investigative journalist (Warren Beatty) stumbles onto a shadowy corporation called Parallax, possibly tied to the government. Is it behind the assassinations of prominent politicians? And who might be next?
The darkest entry in Alan J. Pakula’s “paranoia trilogy,” filmed between Klute (1971) and All the President’s Men (1976), The Parallax View captures the mistrust of 1970s America like few other films. Fears of wiretaps, conspiracies, and institutional coverups echo throughout, drawing direct parallels to the assassinations of the Kennedy brothers and Martin Luther King Jr. The rapid-fire editing and menacing score evoke Nixon-era campaign ads, while the government commission that declares “no conspiracy” mirrors the Warren Commission’s conclusion on JFK’s murder.
Fifty years after its release, The Parallax View still ranks among the most chilling and masterfully crafted political thrillers ever made.
before the screenings intro by Podkast amerykański hosts
in Polish only
Alan J. Pakula
Alan J. Pakula, born in 1928, was a director deeply committed to exploring the intersections of psychology and politics, power and conspiracy. He is best remembered for his “paranoia trilogy” — Klute (1971), The Parallax View (1974), and All the President’s Men (1976) — films that dissected the state of America during an era marked by political assassinations, the Watergate scandal, and a devastating collapse of public trust in government institutions. He was nominated twice for an Academy Award.
Selected filmography
1971 Klute
1974 Syndykat Zbrodni / The Parallax View
1976 Wszyscy ludzie prezydenta / All the President’s Men
1982 Wybór Zofii / Sophie’s Choice
1993 Raport Pelikana / The Pelican Brief
Cast & Crew
