Richard Kelly’s directorial debut opens with a poetic image: a teenager wakes up in his pajamas on a deserted road, then hops on his bike and glides down the empty highway to the sound of Echo & the Bunnymen’s most iconic track. It’s October 1988, in the days leading up to Halloween, the boy will encounter time travel, hypnosis, and a six-foot demonic rabbit. He’ll also fall in love with a classmate. Part coming-of-age tale, part surreal reimagining of late-Reagan-era suburbia, Donnie Darko layers its story with the eerie charm of post-punk and new wave. Though it emerged during the wave of metaphysical suburban cinema around the turn of the millennium, its cult status took time to build — growing thanks to internet forums where Gen X and Y audiences made it a generational touchstone. Interestingly, in Poland, the film remained an elusive myth for years, circulating only through unofficial channels. Now, 25 years after its U.S. premiere, it’s finally getting Polish distribution preceded by a screening at the TAURON American Film Festival. Donnie Darko will be shown in its original director’s cut, widely embraced by fans as the “definitive” version.
Warning for people with epilepsy. This video contains scenes of flashing lights.
Richard Kelly is an American director and screenwriter, born in 1975. He drew inspiration from the styles of Terry Gilliam, Peter Weir, and Steven Spielberg. Kelly gained fame with his debut film Donnie Darko, now regarded as a cult classic. Following its success, he wrote and directed two more films, Southland Tales and The Box. Afterward, he largely disappeared from the public eye for sixteen years. He is currently working on several new projects.
1996 The Goodbye Place (short)
1997 Visceral Matter (short)
2001 Donnie Darko
2006 Koniec świata / Southland Tales
2009 The Box. Pułapka / The Box